First words matter!
Opening number one in my WIP “Red Planet Gunsmoke” goes like this:
“Approaching the Treaty’s new war cruiser filled Cadet Ramona Keegan with something like religious awe.”
This sentence works and is functional. However, it forms part of a very chunky paragraph, spanning seven lines. It’s not typical for me, but it’s a different genre, something I’m trying a little differently.
Given that, let’s try a different one. Here’s the opening of chapter one from the same story:
“Pirate Captain Ramona Keegan ran a calloused hand over her bald head, palm lingering over the crimson hourglass of a colossal black widow spider tattoo, whose tarsi ended at the corner of the captain’s ice-blue eyes.”
The second line follows: “‘I want that ship,’ she said to her crew, ‘and I mean to have it.’”
In this version, we already have two paragraphs. The first line, though long, is only three lines. By comparison, the first example is seven lines on my Word document.
Neither is necessarily better or worse, but there is an adage in advertising and marketing that you want to attract the right people and repel the wrong ones. The same is true of our fiction.
In a bookstore or on a website like Amazon, you have the benefit of a cover and blurb, which help attract readers. On a website, you might also have reviews. But most readers, whether browsing in a store or online, will look inside the book. The first thing they’ll likely see is the first page. While most readers won’t make a decision based solely on the first sentence, it’s beneficial to make that first sentence remarkable.
If you’re a writer seeking traditional publishing, that first sentence matters even more. An agent will only read so much, and if the first sentence doesn’t grab them, they might move on. Agents have piles of submissions, both physical and digital. You have mere seconds to capture their attention and compel them to keep reading. For book readers and purchasers, there’s a bit more leeway, but why not make that first sentence exceptional? It can make the difference in hooking your reader.
For example, I was working with a student who had a solid opening about a creature in the bushes. It was intriguing, but not as engaging as it could be. A few paragraphs down, the student mentioned the character imagining a gunfight with Jesse James. By moving that line to the top, the opening became much more compelling. Immediately, it created curiosity and made me want to read more. If you’re not interested in Jesse James or the Old West, you can put the book down, which is fine because it means the book isn’t for you.
It’s important to realize your book isn’t for everyone.
It might appeal to millions, thousands, or even hundreds, but it won’t appeal to everyone. Writers, particularly those pursuing traditional publishing, need to understand this. Telling an agent your book will be a bestseller because “everyone will love it is unrealistic.” Focus on finding your actual audience. Crafting an irresistible first line can help attract the right readers and repel the wrong ones.
For instance, starting with “Pirate Captain Ramona Keegan” grabs attention. It hints at a space opera setting without explicitly stating it. Even though the cover might show a spaceship or a woman in a spacesuit, the narrative needs to establish the genre quickly. The first sentence doesn’t need to reveal everything, but it should hook the reader and be honest about what to expect.
Consider the difference between the two openings: the first, “Approaching the Treaty’s new war cruiser filled Cadet Ramona Keegan with something like religious awe,” is functional but doesn’t grab you. In contrast, “Pirate Captain Ramona Keegan ran a calloused hand over her bald head, palm lingering over the crimson hourglass of a colossal black widow spider tattoo, whose tarsi ended at the corner of the captain’s ice-blue eyes,” is much more engaging.
Take the time to write your story, but also craft that first line, paragraph, and page meticulously. Consider paragraph breaks, word choices, and every detail. A well-crafted first page can attract the right readers and, crucially, literary agents.
I hope this advice is helpful. Stay in touch and take care.