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Uncategorized

Keep Your Notes – They Might Form a Book Someday

I love all the kids in my debut novel Party, of course. And there is a little bit of me in each one of them. But I feel the most for Morrigan. My heart breaks for her.

I think it’s because she was based on a character I created who was an imagined child of mine.

Yeah. True story.

This is a mockup of promo material for the film version of Party, now called Butterflies. That’s Morrigan…and if you’ve read the book, you know that’s about how her night ends!

I was dating someone and got to thinking about what our kids might be like. I smiled as I thought about it, and started writing a short little scene. In the scene, our kid — an only child, by the way! — was a teenager. A girl. And she and I were on our back patio having a conversation.

As happens often when I write, I lost track entirely of the story and just surfed the wave of inspiration. I felt invigorated when I was finished, and CTRL+HOME’d back to the top of the doc and started reading.

My jaw slowly dropped.

Our kid was in bad shape. I didn’t even know I was writing it like that. Far from being some tender, bucolic scene of heartfelt emotion, the scene was dark and broody and kind of unpleasant.

Worst — I didn’t come off too well in it.

That was the day I knew the relationship wasn’t going to go the distance. I was right. (Thankfully for both of us.)

 

Commissioned fan art of Morry

So Morrigan was in many ways the first character to come to life in Party. When I had the idea to throw a bunch of dissimilar kids into a situation and see what happened, I knew the girl in that scene was going to be a part of it.

None of the actual words in that scene ended up in the published novel, but that’s her, no question.

Morrigan just wants to be seen. In particular by her dad. I know that feeling from both sides of it now. I try to remind myself of what happens to kids who get dismissed by their parents, and work harder at not letting that happen in my house.

Morrigan’s a good kid at heart. She really is.

 

In this homework assignment from an English class, it’s clear the student has very specific ideas about Morrigan….

I’m excited to see where she ends up in my new serialized novel, FADE INTO YOU, in which I pluck the characters from Party and plant them into the world of Zero – early 1990’s Phoenix in stead of early 2000’s Santa Barbara. She won’t be exactly the same — none of the characters will — but she’ll still be Morry, that sassy little brat who desperately seeks a connection to people.

So desperately it gets her into trouble from time to time,

But then, that’s where good stories come from, isn’t it?

If you’d like an e-book copy of PARTY, just head to my author website and I’ll email you one right away!

And if you want to learn more about the exclusive serial FADE INTO YOU, head over to patreon.com/tomleveen.

Talk to you soon,
take care,
~ Tom

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Uncategorized

Building Worlds with Gilligan

I found myself thinking about Gilligan’s Island this afternoon (for no sensible reason I can discern), and remembering watching the endless re-runs on television as a kid.

Being little, it honestly never occurred to me that they were somewhere on a sound stage in Hollywood. It was Gilligan’s Island; they’d film it on an island, naturally.

Because when you’re that age, whatever is presented to you just is. Just like I never noticed the Brady siblings had no toilet in their awkwardly-shared bathroom.

As a parent now, particularly of my nine-year-old son, I am re-noticing the things that he does . . . well, notice. We have talked more than once (before scary movies, in particular) that everything on screen is just pretend, and he always seemed to accept that. I don’t think he believes that there’s a real King Kong wandering about.

It’s the job of storytellers like me to make our worlds as real to you as that desert island was to me, no matter how old our readers or viewers. It’s no small task, writing and crafting stories well enough that you can get utterly lost in them, lose track of time, or even–from time to time–gloss over a few hiccups. (How did Ginger and the Howells store all their clothes on that tiny boat?)

With every new story, it’s a new challenge. “Worlds” aren’t just about fantasy or science fiction or horror; Zero’s 1990s-era Phoenix is just as much a world as Tanin’s magical, monster-infested land of Kassia. Each time I set out to tell a new story, I’m hoping to create a place and time that feel authentic to my readers. To forget the reality of that sound stage and just enjoy a new adventure.

There are so many more worlds to create. I think I’ll get started!

Just sit right back and you’ll hear a tale…

Categories
Craft

How To Deal With the Frustrations of Writing

How do you deal with some of the frustrations that come with being a writer?

We suffer beneath many frustrations. There’s the frustration writers block. There’s the frustration of not having enough time to do the work we really want to do. Of course, the ultimate frustration is not having our work published, or perhaps worse: having a published book, but no one’s buying.

I’ve dealt with, and continue to deal with, all of these frustrations (and many others). After wrestling with these frustrations myself—in my own mind, on paper, wandering around the kitchen at 2 AM speaking into my phone—there is one solution that continues to come to mind. It is great and wonderful and terrible in its simplicity:

Keep writing.

I know. That’s probably the most . . . well, frustrating answer I could I have given to you or me. There are plenty of other actionable items we could add to this list: you could take courses, or spend money on Facebook ads for your book, for example. You can read books and articles like this one, and watch YouTube videos about any topic under the sun related to your frustrations as a writer. God knows I have.

But the one solution that I keep coming back to is that I must write.

Gary Vaynerchuk points out that if you really want success with the thing you love to do, design a process you love. There are no guarantees in any pursuit, whether that’s law, medicine, creative arts, financial work, you name it. So, you’d better come up with a process that you really enjoy. I really enjoy the process of writing novels. All of those frustrations I listed at the top of this article are still true—sometimes on a daily or even hourly basis all at once. But I still love the process of writing.

If you’ve gotten this far in this article, you probably do, too.

With no guarantee of financial or emotional success, how do you deal with all of those frustrations? You keep writing. You write because, as Stephen King points out, to not write is death. More than once in the last decade, I have considered quitting altogether. I have thought about going back to school, getting a graduate degree . . . “I’m just going to work full-time at a library or somewhere.” (That’s not a bad gig by the way.)

The problem is, the thought of never writing another word of fiction chills my heart. I already know that I may never ever publish with a New York publisher ever again. But in this day and age, there is no excuse not to write the things that we love and share them with the world. The internet has utterly and forever changed publishing. Find your audience, and you will be fine.

I am not trying to diminish the size or weight of those three frustrations, or the many other frustrations I didn’t even list. They are real. They hurt sometimes. They can cause distress. But if you are a writer, the only way forward is to keep writing. Perhaps we need to try a new genre, or a new format. Maybe it’s time to take a class in poetry, or essay writing, or creative nonfiction. I have taken these classes and gotten a lot out of them. More than once, they’ve reignited my desire to continue writing. I am also not dismissing all of those videos and courses I mentioned. They can be very powerful as motivators, or to inspire us to try something new and different.

Through it all, we must write. We must not just merely suffer anxiety, but rather be anxious to set forth to tell our stories.

If we cannot or will not do that, then the frustrations have won. Let’s not give them the satisfaction.

I say this at the end of most of my articles and posts about writing, but today, it takes on a slightly more serious meaning:

Keep. Writing.

I mean it.

Categories
Craft

NaNoWriMo: Let’s Write Together!

 

NaNoWriMo: Let’s write together

 

The idea here is to start a novel from idea generation and go all the way (hopefully) through the agenting process, the publishing process, marketing . . . everything that happens along the way to your very first author event at your local independent bookstore.

 

I don’t know if that’s what’s going to happen or not; we’re just getting started! But that’s the goal.

 

I’m going to be gearing everything we do toward that ultimate goal of finding representation from a literary agent and then hopefully traditionally publishing your novel. If that doesn’t happen, that’s okay, we will shift gears and we will self-publish it, and we’ll be talking about all those things every step of the way.

 

It seems like a good idea to write something accessible to more people if I’m going to do my job as an instructor, or as a mentor, or as a coach for writing. I need to make this process and story as accessible for as many novelists and aspiring writers as humanly possible.

 

Again, the idea is I’m starting from zero. I’m going to go to a couple of photo free photo websites (pexels.com and unsplash.com), look for an image that speaks to me—that I find compelling or that inspires me—and we’re going to write a novel based on that image. The final story may change and shift and morph throughout the writing process; that’s fine, that’s normal. But you’ll be along for the ride every step of the way as we talk about structure and plot and pacing and characterization and dialogue and description and white space and all those things that go into novel writing.

 

One question I do see a lot is, “Where do you get your ideas?” or “How can I get ideas to write?” This is one thing you can do: go to a free photo site and just surf around and see what compels you, see what grabs you. (The other advantage to doing that is if we end up going the self-publishing or independent publishing route, this image can become the basis of a great book cover.)

 

I found this shot of a girl sitting on a skateboard with sort of a do-rag thing going on:

 

photo credit:

Olia Danilevich

 

She’s got kind of this Mona Lisa smile going on. She is somebody I would write about.

 

I also like this girl by herself at a carnival or fair of some kind. She doesn’t look like she’s very happy, but there’s this prominent image of the ferris wheel in the background:

 

 

photo credit:

Hannah Busing

 

That’s interesting to me. Why is she there? Why is she by herself? What happened in the moment before?

 

 

Even as I scrolled through many images, I already started mulling ideas about these two images. How can how can they be related? How can they be in relationship?

 

As these posts continue, we will also talk about outlines: should you outline, should you not outline, should you be a pantser or an outliner . . . all these kinds of things we’ll discuss but right now, all I need is something to get the fires burning.

 

Here is the story idea I came up with:

 

I have decided that these two are friends, and they have been friends for a long time, but the girl in the carnival picture perhaps has depression or is struggling with something at home. Some external force is is acting upon her. They go to this carnival, she meets a boy and he’s a carney—maybe he operates the one of the games. She falls for him and decides she’s going to run away with him to the carnival, or follow him to the next town or whatever. Her friend on the skateboard is like, “Not by yourself, I’m coming with you!” She has her own baggage, but I don’t know what that is yet.

 

And it doesn’t matter, because now we have three characters and a story.

 

I have no idea where it’s going, but this is how it works. So that’s where we’re going to leave it for now. Thank you very much for reading, and we’ll see you soon!

 

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